Glazer's specialties include dancing and twisting her face into grotesque ways, while Jacobson scores huge laughs with an expressive face that captures every subtle shade of Abbi's overwhelming neuroses. What makes this particular partnership special is the delight they both take in diving into their roles, often literally. The character dynamic between Abbi and Ilana is that of the prototypical comedy duo, with Abbi as the more reserved and reluctant type (another pilot joke: she sets appointments for when she masturbates) and Ilana being the more adventurous and reckless one. All things considered, it may actually the crassest comedy on television, an idea I'm sure would delight its creators. Another episode set during a power outage centers around poop as a major plot point, and everything from extreme shellfish allergies to hemorrhoids are tackled before the season is over.
The pilot episode opens with a Skype call between Abbi and Ilana in which the latter eventually reveals she's in the middle of banging Lincoln (Hannibal Buress), her dentist sex friend (he'd like to be more than that, she's got commitment issues). The show is a cousin to "Workaholics" or "It's Always Sunny in Philadelphia", except Jacobson and Glazer actually manage to go even farther than their contemporaries in embracing the outrageous and low-brow.
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One of their latest efforts is "Broad City", a sitcom from Abbi Jacobson and Ilana Glazer (and executive producer Amy Poehler) about two best friends trying to get by in the big city.Īs is the increasing norm for modern sitcoms, "Broad City" exists in a nearly cartoon version of reality where the characters' crazy adventures have no repercussions and the comedy is free to drift from extreme to extreme. Recently, though, the network has been upping its game with multiple creator-driven, low-budget sitcoms and sketch comedy shows: "Key & Peele", "Workaholics", "Nathan For You", and "Inside Amy Schumer", among others, have all become surprise hits. Aside from the occasional phenomenon, like "South Park", "Chappelle's Show", or "The Colbert Report", the "comedy" in their name was more about stand-up than narrative TV, with "Comedy Central Presents" being one of their major pop culture contributions (that, and playing Office Space ad nauseum until it was a mainstream success). For many years, it didn't seem like original programming was much of a priority for Comedy Central.